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Subsequently, she had leading roles in five films, including The Country Girl (1954), for which her deglamorized performance earned her an Academy Award for Best Actress.Other films include High Noon (1952) with Gary Cooper, Dial M for Murder (1954) with Ray Milland, Rear Window (1954) with James Stewart, To Catch a Thief (1955) with Cary Grant, and High Society (1956) with Frank Sinatra and Bing Crosby.
Alfred Hitchcock, who famously enjoyed setting limits on himself, would have appreciated the filmmakers’ modus operandi: We can only see what the amateur filmmakers could have recorded, up until and including the smashmouth climax. He didn’t let anything, even death in an auto accident, spoil his plans for a fun evening. Kristen Stewart gives a career-highlight performance a young woman who may, or may not, be receiving texts and other messages from her late brother. Mankiewicz’s classic romantic fantasy (not to be confused with the less-than-classic 1968-70 sitcom) ranks high among cinema’s most charmingly bittersweet ghost stories.
It’s easy to command goosebumps with a ghost story set in an old dark house, or a chillingly soulless high-tech research center. No less an authority than Martin Scorsese has praised director Lewis Allen’s atmospheric chiller about two siblings (Ray Milland, Ruth Hussey) confronting a vengeful spirit in a seaside Cornwall house as one of the scariest movies ever made.